MAAT, Lisbon

The MAAT – Museum of Art, Architecture and Technology, opened its doors to the public on 5 October, 2016. I (Chris) had the chance of a private tour in October 2017. A young museum, just over a year old !

Presenting itself as a new cultural centre in the city of Lisbon, the MAAT represents an ambition to host national and international exhibitions with contributions by contemporary artists, architects and thinkers. Click here for its web site.

Our private guided tour started in the early evening and it was eerie inside.

No shopping.

I saw two exhibits. The first “Tensão e Conflito – Arte em Vídeo após 2008 (Tension & Conflict – Video art after 2008)” – 22 artists made video of their personal views on current events. The museum is turned into a number of film viewing spaces.

The second exhibit is “Shadow Soundings” by Bill Fontana as commissioned by MAAT.

It was created from the sounds and vibrations of the 25th of April Bridge (visible from the museum) and the Tagus River (just outside), and then amplified until they acquire a musical quality.

Using seven projections, the installation shows unique views of the bridge and the Tagus river, as well as unknown angles of the shadows of vehicles moving across the bridge.

The MAAT also represents an effort to revitalise the riverfront of Belém’s historic district. It was designed by the British architecture firm Amanda Levete Architects.

The MAAT also occupies the recently renovated Central Tejo power station (closed since 1975) next door which we did not have a chance to see.

The two buildings are united by an outdoor park, conceived by landscape architect Vladimir Djurovik, offering an outstanding leisure space along Lisbon’s riverbank.

If you go online, you can find photos of the museum taken from the river.  It looks like a low undulating wave.

During the day, people can stroll up to the roof of the museum via the “ramp” to view the river at a higher vantage point.

Well worth returning – for a stroll along the river and a very modern experience.

 

 

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